3DMAX教程
正文
豆豆
11年12月2日
5547關(guān)注

神秘綠色盔甲女劍士制作教程

觀看預(yù)覽

包含5節(jié)視頻教程
關(guān)注10.2萬次

這個(gè)系列是游戲美工的必學(xué)課程。作為游戲美工，制作出房子并且真實(shí)的房子是必須的。本教程也能讓你更快的掌握合成貼圖技術(shù)結(jié)合手繪材質(zhì)技術(shù)。

the inspiration for this image came from the protagonist of the licia troisi's novels, nihal from the land of the wind, a young half-elf female warrior. a very popular italian illustrator, and friend of mine, paolo barbier had created the illustrations for the novels’ covers and an illustrated book about the characters in the saga and so it was his image that i used as a starting concept (fig.01).

fig.01

my goal was to create a 3d version of the nihal character.

modeling:

once i’d prepared the base mesh of the body, i started to model the armor's pieces and clothes, which covered most of the body. modeling each of these pieces was done in two stages: first a basic modeling stage and then a second modeling stage to bring out more of the details. all the items were done using this same method.

i started with the chest armor and i kept nihal's body on a separate layer, creating new polygons using modo’s "background constraint" option. this way the new polygons were fitted onto the background mesh (fig.02).

fig.02

to model, in addition to the traditional tools, i used a lot of modo sculpting tools directly onto the mesh, which made the modeling process quite fast, very enjoyable and not boring at all.

in fig.03 you can see the chest after the first modeling phase and in fig.04 the chest after the second modeling phase.

fig.03

fig.04

a very fun modeling stage was when i modeled the armor friezes, which were not sculpted, but modeled and applied onto the armor. even in this case i used the “background constraint” option, as can be seen in fig.05.

fig.05

fig.06 shows the chest’s wire details.

fig.06

in fig.07 you can see the legs after the first modeling phase; fig.08 shows the legs after the second modeling phase.


fig.07	fig.08

i did everything in a t-pose at first, instead of modeling it in the final pose, as i thought it would be nice to have the possibility of animating the body (even though i'm not planning to do it). in fig.09 you can see nihal fully modeled; any final details that were missing at this stage were going to be added later with the bump map.

fig.09

in fig.10, you can see the full model wires.

fig.10

texturing:

and here i started to seriously enjoy myself! first i had to unwrap the model – which is a pretty boring, but very important step. it has to be done with care, because if you hurt your model in this step, then you will see the consequences in the final result.

fig.11 shows the result with the model checker applied.

in fig.12 we can see the uv map template.


fig.11	fig.12

朱峰社區(qū)網(wǎng)頁版(手機(jī)掃描-分享-添加到屏幕)

朱峰社區(qū)公眾號
朱峰社區(qū)微信公眾號(微信掃一掃-關(guān)注)

資源說明圖文教程無法下載，只能觀看圖片和文字。
版權(quán)規(guī)則本站圖文皆來自互聯(lián)網(wǎng)共享資源，如涉及到版權(quán)請查看版權(quán)規(guī)則。本平臺(tái)提供圖文僅可用于個(gè)人學(xué)習(xí)，如用于商業(yè)請購買正版。您必須遵守的版權(quán)規(guī)則

未知用戶

視頻教程

作品

免費(fèi)模型

轉(zhuǎn)載

軟件

材質(zhì)

圖文

論壇

購買

免費(fèi)

論壇

求職

外包

神秘綠色盔甲女劍士制作教程